![]() Flat: for spreading paint quickly and evenly over a surface.Round: pointed tip, long closely arranged bristles for detail.The styles of brush tip seen most commonly are: HOW TO CHOOSE A BRUSH DEPENDING ON THE SHAPE But an even more important factor is whether the artist knows how to use them and look after them. Paintbrushes are among the most important tools of all in an artist’s hands. Squirrel-hair brushes are perfect for painting with watercolours, but when used with oil they quickly become unfit for use. This is purely a matter of personal preference and habit, though. Some artists use these brushes to lend a light tint to the paint. These brushes are not used in oil painting, or at least not widely used. ![]() There are loads of suggestions to be found on the Internet, though, about how to solve this problem and get the brush back to its original shape. Some brushes made with synthetic fibres may lose their shape over time and become bushy. They last longer and are suitable for any canvas, however finely or coarsely grained. They are easier to look after (thinning agents, diluents and linseed oil all affect natural brushes in different ways). By comparison with brushes made of hog’s hair and sable-hair, synthetic brushes have both upsides and downsides. They can be used to paint paintings consisting of lots of thin layers. Thin synthetic bristles, on the other hand, are similar to natural sable-hair brushes. Thick synthetic bristles are suitable for doing the undercoat and for the fast alla prima painting technique (as are brushes made of natural bristles). Synthetic brushes are now available with varying degrees of bristle thickness, enabling artists to choose their brush depending on the task at hand. Good synthetic brushes can sometimes be on a par with natural brushes. With the emergence of good-quality brushes made with synthetic fibres, however, novice painters are increasingly shunning brushes with natural bristles. One hears various things said about synthetic brushes for oil painting, and the feedback about them is mixed. ![]() Natural sable-hair brushes are also suitable for the ‘drybrush’ painting technique. When using a medium-grained canvas, meanwhile, you’ll find you can wipe off any stray bristles from the brush more quickly. Artist brushes made of sable-hair will last a long time, if you use a fine-grained canvas. Sable-hair brushes provide soft, subtle strokes, making them ideally suited for portrait-painting and for all the fine detail in a painting. Sable-hair brushes are usually used by artists who like to paint in thin, translucent layers. These brushes, like those made of hog’s hair, are natural paintbrushes and are commonly used to create watercolours and oil paintings. The bristles are boiled and bleached and then any split ends are removed.Ī kolinsky is a small carnivorous animal, similar to a ferret. Making a brush with natural bristles is a fairly complicated procedure. Natural bristles pick up the paint very well and apply the load to the canvas well. They are made of hog’s hair and are considered to be among the best kinds of brush for oil painting. These are the most common brushes and the ones most often used by artists. HOW TO CHOOSE A BRUSH DEPENDING ON THE MATERIAL
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